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 the Originality of the bonecarve craft which has arisen in middle of XIX eyelid in arcaded Siberian city Tobolsk, in a blister texture of traditions of Russian art culture and art of next peoples - Nenetses, sealcoups, Khunts, the Mansi. Sincere and goodhearted interest to customs of neighbours - primordial bar of Russians - was brightly showed right at the beginning of work of a craft. First of widely known in Russia of XIX eyelid of bonecarve works of Tobolians not casually become well-known “ Ostjack economies ” - stages from life of Ostyacks as named then Khunts and sealcoups. And today it is difficult for spectator to come off these (dwelling) and nart (teams), figures of people in the furry clothing, preparing to hunting and the catching of a fish finding with them of deers and dogs is masterful ready-cut of a walrus bone of tiny chooms. These products hardly can be named a true sculpture, here still it is a lot of from "breadboard model", however should paw tendency of a foreman obvious in each detail to certainty, surprise by all seen and clear, tendency to embody the most small-sized details.
 It is known, that Russian artists who have lodged Tobolsk often and willingly went in a taiga and tundra, doing{making} notes and sketches. In these figures the custom of local residents richly was reflected to stud the life - dwelling, clothing, a harness of deers, implements and huntings. Having saved traditional plots: stages of a life, stag teams, - the Tobolsk bonecarvers all leave from modelability, becoming genuine foremen plastics further. Experts across all Russia start to appreciate in their works not only entertaining of a plot, but also complexity of a composition and workshop processing of a bone - shining polish, purity of fulfilment of the smallest details.
 For foremen of the Tobolsk bonecarve craft main art method - a volumetric tiny carved sculpture. The Tobolsk groove has arisen on the basis of art processing the bone distributed among an aboriginal population of Western Siberia.
The bonecarve craft has developed here only in XIX eyelid. The wide circulation among aboriginal carvers was received with a small-sized sculpture, consolidated of separate figures in multistoreyed compositions. So, Tobolsk a foreman cut from a bone of a stage from life of Ostyacks-hunters. Adherence to similar small-sized plastic affects and in creativity of contemporary-styled generation of carvers. But if earlier the sculpture almost naturalistically replicated the validity now the basic attention is converted on decorative effect of a silhouette, to plastic of lines. Contemporary-styled products distinguish laconic volumetric forms with tissue study of the basic details. This bar ascending to traditions ancient Tobolsk volumetric grooves, it is characteristic for works of contemporary-styled foremen of the Tobolsk order " the Mark of Honour " factories of art bonecarve items.
Contemporary-styled exhibitions testify to breadth of creative search of the Tobolsk carvers. On them the spectator meets here and a carved icon, and with solemn cups, with many characters of Russian fairy tales in small-sized plastic, stag teams adjoin to Russian three. G.Hazov, P.Krivoshein, V.Obrjadova, N.Kugaevskaja, F.Fedorov, their comrades have frameed the special world of a carved bone of Tobolsk. In their products the, unique attitude to the generalized expressiveness of sculptural volume and a silhouette, to gestures of characters, here the proportions of figures, here the plastic intrigue in dialogue of people and animal, here is a lot of lyricism, heat and humour. Pullet{young man} artists largely already managed to overcome "frontality" and "profilality" of the image, the majority of works are expressive in any foreshortening, it, undoubtedly, testifies to growth of professionalism.
In one of Nenets fairy tales stag teams one by one in precipitant trot race soar up in the root. It would be desirable to wish the same free creative takeoff to Tobolians and all to their colleagues - to foremen of bonecarve art of Russia.
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