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We apologize for translation quality of article.
 Art of a groove on a bone" to the fish tooth" inhabitants in city Kholmogory (60 kms from Arkhangelsk) and in villages his{its} districts were engaged.
Then the bonecarve craft very much developed in Kholmogory. This skill was transmitted to olden time in families from generation to generation. Dynasties of the bonecarvers possessing secrets tissue, of a fret work on a bone, were since the old days glorified by technique of a chase carving of the tissue figure scratched on a surface of a plate and places azured paint. Crests, pods, small chests, the caskets replicating in a miniature of the form of furniture of XVIII eyelid of office and secretaires are decorated with plates from a walrus or mammoth bone and so-called" flabs" - bones of domestic animals.  the Level of their skill is confirmed by call of carvers for work in the Armory Museum of the Moscow Kremlin representing workshop on fulfilment of the most different art items for an imperial yard.
Cramps on it are present in documents of XVII century.
But the beginning of a craft, probably, has more early headstreams.
At this time registration of items differed splendor and oof. In one item different methods of decoration combined: the refined fret work, a colour chase carving, colour of plates of a bone. The assortment of the items created by Kholmogorian carvers was diverse. Small chests of slab tins, caskets - komodiki for a poudresse with flock of the boxes opened with secrets; snuffboxes, crests, needle beds of diverse forms. For work the simple bone of domestic cattle (teat) and a horn was used also. As the simple bone has no beautiful tint, flash, texture as noble mammoth or walrus, a foreman have found interesting method of its{her} decorative enrichment. Plates of a bone were imbued in intensely green colour, less often in brown. The simple bone enriched with colour, was looked as road, a noble material. Alternating of white and green plates gave to items an originality and decorative effect. Plates of a bone were studed with the hatched, so-called eye decorative pattern distributed at many peoples of the North from an extreme antiquity.
This decorative pattern consisting from a mug with a point at the centre, supposed endless flock composite decisions. Kholmogorian a foreman compounded{made} of this decorative pattern the most different rosettes, placing them according to the dimension and a direction (plumb or horizontal) plates bones. On a background of brown or green plates the eye pattern, prograted a bronzy powder, is looked rather effectively. The decorative pattern of red and black colours was located on white plates of a bone. Application of this decorative pattern typically for arts of Kholmogory of XVIII eyelid. At times on white plates hatched images by the way a small-scale sprig with graceful leaves and colours such as tulips that gave to items of Kholmogorian foremen a celebratory, ornate kind were put. By end XVIII-to the beginning of XIX eyelid of colour of a chase carving lose the luminance, are changed{interchanged} faded, yellow, blank green. The shape of Kholmogorian items which lose the conviviality varies also.
Their registration becomes more strict in what influence of leading style of epoch - a classicism shows. At the centre of a ch, and sometimes and on each side were located relief or seaming laces - the basic decorative accents{stresses} in registration of a thing. Insertions were executed sometimes from a walrus bone, is more often from idle time. In these tiny compositions concluded in the rectangular or square form, the running hare, the hunter, shooting a bird were represented. images animal were treated by foremen on a plane that communication{connection} with a surface of a subject was not lost. Kholmogorian a foreman surprisingly were able to pack two or three-figured group in the strict geometric form.
Sometimes images it is skilful" were intertwined" in an ajour decorative pattern, compounding{making} a unit with an ajour pattern. The decorative pattern from fancifully curved krausen has become characteristic bar of a Kholmogorian groove.
After the Great October socialist revolution the art craft of a groove on a bone, disappearing in beginning XXвека, is revived. In 1931 year in a torrent carrying a name of M.V.Lomonosova (former Denisovka), the bonecarve artel, subsequently - factory of a carving on a bone will be organized; the school of a carving on a bone starts to work. From now on will grow, it is formed, the large collective of talented carvers from village of Lomonosov reachs manhood.
they have frameed significant assortment of diverse items of gift type. These are chs and small chests of different forms and the dimensions for a storage of jewelry and needlework, crests, hairpins, crochets, suspensions, the decorative desktop vases, screens, tiny sculptures. For work the walrus tusk, a tooth of a cachalot were used, recently basically the simple animal bone - a teat is applied. A foreman work in traditional technique of a fret work in which Kholmogorian a foreman have reached{achieved} masterly skill. In a warp of an ajour decorative pattern - a traditional Kholmogorian curl which a foreman vary endless flock of times, variate under forms and the dimensions, enrich with his{its} plastic development. Art of carvers on bones always was and remains a subject of attention and admiration as experts - artists, and ordinary consumers in our country and behind its{her} limens. Products of foremen - carvers on bones help to understand better spirit and culture people at which the careful attitude to the man-made skill inherited from grandfathers and great-grandfathers, successfully combines with advanced achievements of scientific and technical progress. Remarkable art of Russian groove on a bone, so nice{famous} in the past, educes and now.
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